Fashion Priest


Priest Adeyemi, 19



Miu Miu Fall 2013.
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Hermès by Martin Margiela, Spring 2000.
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deauthier: Kinga Rajzak at her Miu Miu f/w 2011 fitting.
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Vigilance (1991), by Julia Scher: Representative of Scher’s elaborate involvement with security systems as both social critique and material for art. In this installation for the Centre Pompidou, she installed several black-and-white surveillance cameras in unpredictable, empty spaces in the museum. Visitors are taped, and, as they proceed through the museum, they can see their own image on monitors in other rooms. But they also see pre-taped images of other people in the same spaces performing often aggressive actions, but they are unaware that the footage had been taped earlier. They think it is live and they can become very anxious. They might see people fighting or lying naked on the floor, but they are not sure where they are or if they are in need. Potentially, a certain panic could erupt; panic propelled by the very “security” systems that are supposed to offer solace and safety.
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Sylvia van der Klooster at Dolce & Gabbana Fall 2003.
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Making A Scene, Natasha Poly & Mariacarla Boscono by Willy Vanderperre for W March 2011.
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horreure: Nicole Maria Winkler
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horreure: Nicole Pollard
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horreure: Karlina Caune by Tung Walsh for Tar Magazine
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supermodelgif: “Soft” by Mark Borthwick for Vogue Italia February 1997
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bienenkiste: from Under The Influence, Issue #9
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stormtrooperfashion: Alison Nix in “Sex & Jeans” by David Bellemere for Marie Claire Italy, May 2013 
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stormtrooperfashion: Linnea Gröndahl in “Mode Check” by Fredrik Wannerstedt for DV Magazine 
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